Theo Coulombe

Theo Coulombe

  • LANDSCAPE
  • SPACES
  • PROJECTS
    • Ayana Evans and Tsedaye Makonnen 2021
    • FILM SCAPES
    • RED GREEN BLUE (Dyslexia) 2020
    • Don't Touch Your Face 2020
    • Shantell Martin | On The Road 2017
    • WATER DOWN A DRAIN 2016
    • EMBEE Sunshade 2016
    • RED FRIENDS 2000
    • CAMO 1999 - 2005
    • Background 2000 1974 - 1976
    • T Shirts 1998
    • Brooklyn and NYC 1995 -1998
  • CURATORIAL
    • STANDARD SPACE CURATORIAL - DIRECTORSHIP
    • ART in PLACE March - June 2020
    • BPS ONE NIGHT ONLY ART - CURATORIAL
      • Elizabeth Harney Exhibition Opening 06/25/2015
      • Jill Musnicki, 'Eothen, a year at Warhol Preserve' 2014
    • Artscope Magazine 2020
  • PRESS - EDITORIAL
  • ABOUT
  • INQUIRE - COLLECTORS GUIDE
Looking SE Toward Long Pond Brook, Sharon, CT, 2022
pigment print from 8x10" color negative film on archival rag paper





Winter is the best season to be in the darkroom, either chemical or digital. Ya still have to deal with dust, burning, dodging and color. Even in black and white. When I had a rental darkroom in Brooklyn people would always print in the spring, summer and fall but almost never in the winter… never understood that.



60 x 76 in / 152.4 x 193.04 cm Ed: 2/2

40 x 50.75 in / 101.6 x 128.91 cm Ed: 3/4

32 x 40 in / 81.28 x 101.6 cm Ed: 9/10

20 x 24 in / 50.8 x 60.96 cm Ed: 20/20

15 x 23 in / 38.1 x 58.42 cm Ed: 40/40




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